Meet April Artist of the Month: Jess Stanley

Meet April Artist of the Month: Jess Stanley

When it comes to Jess Stanley’s art, being authentic to herself has been the key ingredient in finding her niche. Although she’s been creating since childhood, completed art school at the College of New Caledonia, and receives mentorship from her high school art teacher, Stanley’s journey to becoming the illustrator, painter, and animator she is today was not a straight shot.

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A MIXED PLAYLIST INSPIRED BY: Ariella Ilona Horvathw

A MIXED PLAYLIST INSPIRED BY: Ariella Ilona Horvathw

The inspiration for this month's playlist is “multisensory”: seeing, hearing, tasting, and touching. Within Horvath's photography, you can see the detailed layering with fabric, colours, textures, and light creating mesmerizing scenes. This playlist is an attempt to capture all these exquisite layers. 1We suggest closing your eyes and letting the beat guide you from this point.

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Reconciliation & Transformation in Luke Parnell’s debut exhibition Indigenous History in Colour

Reconciliation & Transformation in Luke Parnell’s debut exhibition Indigenous History in Colour

Haida and Nisga’a carver and artist Luke Parnell explores oral histories, reconciliation, and conceptual art in his latest exhibition at the Bill Reid Gallery. In what marks his first exhibition at the Bill Reid Gallery, Parnell features 7 unique conceptual art pieces, including a still image from his film Remediation, an ethnographic response to Bill Reid’s 1959 documentary about an expedition to salvage historic totem poles from a deserted village on Haida Gwaii.

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JOSEPHINE LEE EXPLORES HOME AND BELONGING IN LATEST EXHIBIT: /BORN IGNORANT IN AN ABYSS OF LIGHT

JOSEPHINE LEE EXPLORES HOME AND BELONGING IN LATEST EXHIBIT: /BORN IGNORANT IN AN ABYSS OF LIGHT

Vancouver-based sculptural artist and ceramicist Josephine Lee showcases her latest piece /born ignorant in an abyss of light at the Burrard Arts Foundation (BAF). Located in the garage on the left side of BAF’s entrance, you’ll peep through a glass tile window to view the scintillating piece. Three medium-sized porcelain vessels are laid out on separate cubic blocks forming a triangle and attached to a transparent curvy glass tube. The tube contains a current of electricity that sparks in accordance with a grainy, archival video loop of a house repeatedly blowing up, then becoming whole again.

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A Q&A with Erica Wilk of Moniker Press

A Q&A with Erica Wilk of Moniker Press

Nestled underground in Vancouver’s Chinatown is Moniker Press, a small but mighty risograph print and publishing studio. Moniker quietly began 6 years ago when owner and operator Erica Wilk was helping out a studio mate with a book which they ambitiously decided to print themselves—all 400 copies. The next thing she knew she had a 300-pound risograph printer in her studio that she hadn’t yet learned how to use, and a whole lotta copies of a first edition that needed printing. It wasn’t until years later that Wilk developed a vision for the press, which has evolved into a collaborative project with other artists and writers to produce small editions of books, zines, and prints.

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